Worship Piano Chords For Altar Call

Introduction: 

Welcome back to another exciting session with Warren, where we dive deep into the world of worship piano. Whether you’re a seasoned pianist or just starting your musical journey, today’s lesson is for you. We’ll explore some beautiful worship chords that can be used during an altar call or to create a serene and ambient atmosphere during a church service. So, please don’t go anywhere; we’ll break it all down for you step by step.

Setting the Stage: First things first, we’re going to be working in the key of C major, even though you might notice the use of black keys. Warren begins by demonstrating the chords he’ll be teaching. These chords set the foundation for the atmospheric worship piano experience he’s about to unveil.

Chord 1: 

C sus 2 or G sus 4 Warren starts by playing an octave on G, C, and D in his right hand. This creates a C sus 2 or G sus 4 chord. The left-hand plays a C octave. This forms the basis for our atmospheric journey.

Chord 2:

 C sus 2 or Bb 6/9 sus 4. Next, he moves to a Bb 6/9 sus 4 chord. The right hand retains the C sus 2 shape, while the left-hand shifts to a Bb octave with the fifth. Warren emphasizes that you don’t need to get caught up in complex chord names; instead, focus on the sound and feel of the music.

Chord 3: 

A flat major 9 Moving smoothly, Warren introduces an A flat major 9 chord. He maintains the C minor shape in his right hand and transitions the left hand to an A flat, extending up to the ninth note. Again, it’s all about the sound and not getting bogged down in chord labels.

Chord 4: 

F minor 9 Our next destination is an F minor 9 chord. The right-hand stays in the C minor shape, while the left hand shifts to an F octave. Warren provides alternatives for those who may find certain stretches challenging, ensuring accessibility for players of all levels.

Chord 5: 

D minor 7 flat 5 (Half-diminished) Now, we arrive at a D minor 7 flat 5, also known as a half-diminished chord. The right hand retains the C minor shape, while the left hand adds the notes needed to complete the chord. Again, don’t worry about complex names; let the music guide you.

Chord 6:

 G7 or G7b13 Warren then introduces a G7 chord, and if you want to add some color, you can alter it to G7b13 by dropping the index finger down to the B note. This progression brings a new dimension to the music.

Layering and Atmosphere: 

To create the desired atmospheric worship experience, Warren recommends layering different sounds. He combines a worship EP, a worship pad, low-energy tones, and regular strings. The use of a tremolo effect adds depth to the overall sound. Experimentation is key, allowing for dynamic variations in the music.

Rhythmic Movement: 

While initially emphasizing the importance of chord structure and atmosphere, Warren later introduces rhythmic movement. He demonstrates how arpeggiating the chords can bring the music to life, adding a sense of flow and emotion. The pedal is essential in controlling the volume and preventing sound buildup.

Conclusion:

In conclusion, Warren’s tutorial provides valuable insights into creating an atmospheric worship piano experience. Starting with fundamental chords, layering sounds, and adding rhythmic movement, he guides both beginners and experienced pianists on a creative musical journey. Remember, it’s not just about playing chords; it’s about creating an atmosphere that touches the hearts of those listening.

If you enjoyed this tutorial, don’t forget to like and subscribe to Warren’s channel. For those seeking a structured learning experience, check out his membership program at pianoswithwarren.com. Additionally, you can download a free PDF guide on naming chords, a handy resource for any pianist.

So, keep practicing, keep listening, and keep singing. This is how you’ll continue to grow as a musician. Join us next week for another exciting tutorial, and until then, have a blessed week.