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Awe, sorry about that, you’ll need score at least 80% before you can mark this lesson as complete. The good news is you have unlimited retires, so don’t give up 🙂
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Awe, sorry about that, you’ll need to score at least 80% before you can mark this lesson as complete. The good news is you have unlimited retires, so don’t give up 🙂
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Awe, sorry about that, you’ll need to score at least 80% before you can mark this lesson as complete. The good news is you have unlimited retires, so don’t give up 🙂
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Awe, sorry about that, you’ll need to score at least 80% before you can mark this lesson as complete. The good news is you have unlimited retires, so don’t give up 🙂
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Awe, sorry about that, you’ll need to score at least 80% before you can mark this lesson as complete. The good news is you have unlimited retires, so don’t give up 🙂
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Awe, sorry about that, you’ll need to score at least 80% before you can mark this lesson as complete. The good news is you have unlimited retires, so don’t give up 🙂
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I think question #3 has two answers. Could 12/8 also be expressed as 3/4?
@Cassandra Hargrove
No—12/8 is not the same as 3/4. The closest simple-meter “equivalent” is 4/4 with continuous triplet (shuffle) subdivision, which is why 4/4 is the best alternate answer.
Why 3/4 doesn’t work:
12/8 = compound quadruple: 4 beats per bar, each beat is a dotted quarter subdivided into 3 eighths. Count: 1-la-li, 2-la-li, 3-la-li, 4-la-li. Backbeat typically on 2 and 4.
3/4 = simple triple: 3 beats per bar, each beat is a quarter subdivided into 2 eighths. Count: 1-&, 2-&, 3-&.
So 12/8 has four beats organized as 3+3+3+3 eighths; 3/4 has three beats organized as 2+2+2 eighths. They feel different, place accents differently, and don’t line up without changing note values and the groove.
Got it
Nice review
Okay
this is starting to make sense, also very critical!!
@Eliezer M Glad to hear it!
Good stuff!